Okay, that was an admittedly "dark"-sounding title, but it's perfectly appropriate for today's topic...How to get- and keep- your water as tinted as possible. Or, at least, what materials would do the best job in terms of "color production."
We as a group are kind of obsessed with this.
And yeah, it's a good question!
Now, first off- let's all remember that the color of the water has absolutely NO relationship to its pH or carbonate hardness. It just doesn't. You can have water that looks super dark brown, yet has a pH of 8.5 or whatever. And conversely, it's just as possible to have crystal clear blue-white water that's soft, and has a pH of 4.5. We have to get beyond the social media-style "blackwater" definition, which seems to be, "If the water is tinted, it's a blackwater aquarium!"
Now, look, if you just want the nice color but could care less about the pH and hardness, that's fine. For the benefit of the hobby as a whole, please don't perpetuate the confusing narrative about blackwater aquariums by telling others that you have "blackwater." You have a "tinted" aquairum.
And that's just fine.
So, yeah-I'm not going to launch into a long drawn out description today about how ecologists define "blackwater" and what specific chemical characteristics make it up- we've covered it enough over the years...you can deep dive here or elsewhere to get that.
Okay, micro-rant over. Let's get back to the topic.
Remember, this piece is not about how to make blackwater...It's a little more superficial than that...it's about creating an aquarium with color and maintaining it.
First off, one of the "keys" to getting your color that lovely brown is to select the right types and quantities of botanical materials to assist. Now, I'll be the very first to raise my hand and call BS on anyone who claims to have a perfect "recipe" for how many Catappa leaves per liter or whatever you must use to achieve a specific color. Sure, you could come up with some generic recommendations, but they're not always applicable to every tank or situation.
Yes...there are simply so many variables in the equation- many which we probably haven't even considered yet-that it would be simply guessing. Just like Nature, to some extent...
What I can do is recommend some materials which we have found over the years to generally impart the most reliable and significant color to water. In no particular order, I'll give you my thought on a few of my personal faves. There are a lot more, but these are some that consistently show up on my "fave" list.
Yep, you heard me. One of the very best sources of tint-producing tannins in our aquariums is wood. I've told you many times, wood imparts tannins, lignin, and all sorts of other "stuff" from the exterior surfaces and all of those nooks and crannies that we love so much into the water.
Now, I don't know about you, but I'm always amused (it's not that hard, actually) by the frantic posts on aquarium forums from hobbyists that their water is turning brown after adding a piece of wood. I mean- what's the big deal?
Oh, yeah, not everyone likes it...I forgot that. 😂
The reality, though, as you probably have surmised, is that wood will continue to leach tannins to a certain extent pretty much for as long as it's submerged. As a "tinter", I see this as a great advantage in helping establish and maintain the blackwater look, and to impart humic substances that are known to have health benefits for fishes.
Some wood types, like Mangrove ( a wood we don't have at the moment), tend to release more tannins than others over long periods of time. Other types, like "Spider Wood", will release their tannins relatively quickly, in a big burst. Some, such as Manzanita wood, seem to be really "dirty", and release a lot of materials over long periods of time. All will recruit fungal growths and bacterial biofilms.
And the biocover on the wood is a unique functional aesthetic, too, as we rant on and on about here!
I'm a huge fan of tree bark to impart not only color, but beneficial tannins into the water. Because of its composition and structure, bark tends to last a very long time when submerged, and tends to impart a lot of color to the water over the long term.
And to be quite honest, almost all of the bark products we've played with over the years seem to work equally as well. The real difference in bark is the "form factor" (appearance) and the color that they impart to the water over time. Some, such as Red Mangrove bark or Cutch bark, will impart a much deeper, reddish-brown tint to the water than say, an equal quantity of catappa bark. And our soon-to-be-released Ichnocarpus bark really packs in this reddish brown color! You're gonna love this stuff!
Ounce for ounce, gram for gram, I've always felt that various types of bark always impart the most color to the water over almost any other materials.
These are very interesting, woody pods, derived from the outer "valve" of the fruit of the Swietenia macrophylla tree, which hails from a wide range of tropical locales (although native to Brazil), and are just the sort of thing you'd find floating or submerged in a tropical jungle stream. Often called "Skyfruit" by locals in the regions in which they're found because they hang from the trees- a name we fell in love with!
These botanicals can leach a terrific amount of tannins, akin to a similar-sized piece of Mopani wood or other driftwood. They are known to be full of flavonoids, saponins, and other humic substances, which have known positive health effects on fishes. Like bark, it lasts a good long time and recruits some biofilms and fungal growths for good measure.
Live Oak Leaves/Magnolia Leaves
Despite their humble North American origins, these leaf types impart more color, ounce per ounce, than just about any of our fave tropical leaves. And they both last very long time...Like, I've had specimens of live oak leaves stay intact for several months!
It's really important to think of leaves as not just a "coloring agent" for your water, but as a sort of biological support mechanism for your burgeoning ecosystem. They actively recruit fungi, bacterial biofilms, and other microorganisms which enrich the overall aquatic environment in your tank.
Alder cones (Aalnus glutinosa and Alnus incana) and Birch cones (Betula occidentalis), have been widely utilized by aquarium hobbyists in Europe for some time. Betta and ornamental shrimp breeders are fond of the tannins released into the water by these cones, and their alleged anti fungal and antibacterial properties. There has also been much study by hobbyists about the pH reduction attributes of these cones, too.
A study done a few years back by a Swedish hobbyist using from one to six cones in a glass containing about 10 ounces of tap water, with a starting ph of around 8.12, was able to affect a drop to 6.74 with one cone after about two weeks, 4.79 with 2 cones after two weeks, and an amazing 3.84 with 6 cones after the same time period! The biggest part of the drop in pH occurred in the first 12 hours after immersion of the cones!
Now, I'm the last guy to tell you that a bunch of cones is the perfect way to lower pH, but this and other hobby-level studies seem to have effectively have demonstrated their ability to drive pH down in "malleable" (soft) water...
Coconut-based products (Coco Curls, "Fundo Tropical", "Substrato Fino")
There's something about coconuts...The materials which are derived from the husks of coconuts seem to produce a significant amount of tannins and impart color to the water. Of course, "Substrate Fino" and "Fundo Tropical" are smaller, or finer-textured materials which work primarily as "substrate enhancers", and not strictly as "color-producing agents", because there is an initial "burst", which subsides over time.
Now, one of the novel applications for these finer botanical materials to take advantage of their color producing ability is to place them in a fine mesh filter bag and allow water to flow around or through them, like filter media. Essentially, a more sustainable alternative to the old peat moss trick...
For an interesting look and some nice color, I'm a big fan of oak twigs. Oak has a nice bark which imparts a deep brownish/yellow color to the water and it's quite distinctive. There is a reason why our "Twenty Twigs" packs are pretty popular, and it's not just because you get a bunch of cool sticks!
When mixed with leaves and/or other botanical materials, not only do you get an incredible "framework" for a cool ecosystem, you get an incredible aesthetic as well!
Now, this is an absolutely cursory list.. I could have easily listed 10 or more items. No doubt, some of you hardcore enthusiasts are screaming at your screens now: "WTF Fellman, you didn't include_______!"
And of course, that's the beauty of natural materials...There are numerous options!
Another note on the colors to expect from various botanical materials. As you might suspect, many of the lighter colored ones will impart a correspondingly lighter tint to the water. And, some leaves, such as Guava or Loquat, also impart a more yellowish or golden color to the water, as opposed to the brownish color which Jackfruit and Catappa are known for.
A lot of you ask about things that impact how long the water retains it's tint.
This kind stuff is a big deal for us- I get it! Many hobbyists who have perhaps added some catappa leaves, "blackwater extracts", or rooibos tea to their water contact me asking stuff like why the water doesn't stay tinted for more than a few days. Now, I'm flattered to be a sort of "clearing house" for this stuff, but I must confess, I don't have all the answers.
So, "Why doesn't my water stay tinted, Scott?"
Well, I admit I don't know. Well, not for certain, anyways!
I do, however, have some information, observations, and a bunch of ideas about this- any of which might be literally shot to pieces by someone with the proper scientific background. However, I can toss some of these seemingly uncoordinated facts out there to give our community some stuff to "chew on" as I offer my ideas up.
Now, perhaps it starts with the way we "administer" the color-producing tannins.
Like, I personally think that utilizing leaves, bark, and seed pods is perhaps the best way to do this. I'm sure that you're hardly surprised, right? Well, it's NOT just because I sell these material for a living...It's because they are releasing tannins, humic substances, and other compounds into the water "full time" during their presence in the aquarium as they break down. A sort of "on-board" producer of these materials, with their own "half life" (for want of a better term!).
And, they also perform an ecological role, providing locations for numerous life forms (like fungal growths) surface area upon which to colonize. They become part of the ecosystem itself. A few squirts of "blackwater extracts" won't do that, right?
The continuous release of tint-producing compounds from botanical materials keeps things more-or-less constant. And, if you're part of the "school" which leaves your botanicals in your aquarium to completely break down, you're certainly getting maximum value out of them! And if you are continuously adding/replacing them with new ones as they completely or partially break down, you're actively replenishing and adding additional "tint-producing" capabilities to your system, right?
There is another way to "keep the tint" going in your tanks, and it's pretty easy. Now, those of you who know me and read my rambling or listen to "The Tint" podcast regularly know that I absolutely hate shortcuts and "hacks" in the aquarium hobby. I preach a long, patient game and letting stuff happen in its own time...
Nonetheless, there ARE some that you can employ that don't make you a complete loser, IMHO.😆
When you prepare your water for water changes, it's typically done a few days to a week in advance, so why not use this time to your advantage and "pre-tint" the water by steeping some leaves in it? Not only will it keep the "aesthetics" of your water ( can you believe we're even talking about "the aesthetics of water?") consistent (i.e.; tinted), it will already have humic substances and tannins dissolved into it, helping you keep a more stable system.
Obviously, you'd still check your pH and other parameters, but the addition of leaves to your replacement water is a great little "hack" that you should take advantage of. (Shit, I just recommended a "hack" to you...)
It's also a really good way to get the "look" and some of the benefits of blackwater for your system from the outset, especially for those of you heathens that like the color of blackwater and despise all of the decomposing leaves and seed pods and stuff!
So, if you're just setting up a brand new aquarium, and have some water set aside for the tank, why not use the time while it's aging to "pre-tint" it a bit, so you can have a nice dark look from day one? It's also great if you're setting up a tank for an aquascaping contest or other same-day club event that would make it advantageous to have a tinted tank immediately.
I must confess that yet another one of the more common questions we receive here from hobbyists is, "How can I get the tint in my tank more quickly?"- and this is definitely one way!
How many botanicals to use to accomplish this?
Well, that's the million dollar question.
It all gets back to the (IMHO) absurd "recommendations" that have been proffered by vendors over the years recommending using "x" number of leaves, for example, per gallon/liter of water. There are simply far, far too many variables- ranging from starting water chem to pH to alkalinity, and dozens of others- which can affect the "equation" and make specific numbers unreliable at best.
We did, too, in the early days of Tannin. And it was kind of stupid really. There just is no hard-and-fast answer to this. Every situation is different. You need to kind of go with your instinct. Go slowly. Evaluate the appearance of your water, the behaviors of the fishes...the pH, hardness, TDS, nitrate, phosphate, or other parameters that you like to test for.
It's really a matter of experimentation.
I'm a much bigger fan of "tinting" the water based on the materials in the aquarium. Letting Nature have at it. The botanicals will release their "contents" at a pace dictated by their environment. And, when they're "in situ", you have a sort of "on board" continuous release of tannins and humic substances based upon the decomposition rate of the materials you're using, the water chemistry, etc.
Replacement of botanicals, or addition of new ones, as we've pointed out many times, is largely a subjective thing, and the timing, frequency, and extent to which materials are removed or replaced is dependent upon multiple factors, ranging from base water chemistry to temperature, to the types of aquatic life you keep in the tank (ie; xylophores like certain Plecos, or strongly grazing fishes, like Headstanders, will degrade botanicals more quickly than in a tank full of characins and such).
(The part where Scott bashes the shit out of the idea of using "blackwater extracts" and Rooibos tea. This could get nasty!)
If you haven't heard of it before, there is this stuff called Rooibos tea, which, in addition to bing kind of tasty, has been a favored "tint hack" of many hobbyists for years. Without getting into all of the boring details, Rooibos tea is derived from the Aspalathus linearis plant, also known as "Red Bush" in South Africa and other parts of the world.
(Rooibos, Aspalathus linearis. Image by R.Dahlgr- used under CC-BY S.A. 2.5)
It's been used by fish people for a long time as a sort of instant "blackwater extract", and has a lot going for it for this purpose, I suppose. Rooibos tea does not contain caffeine, and and has low levels of tannin compared to black or green tea. And, like catappa leaves and other botnaicals, it contains polyphenols, like flavones, flavanols, aspalathin, etc.
Hobbyists will simply steep it in their aquariums and get the color that they want, and impart some of these substances into their tank water. I mean, it's an easy process. Of course, like any other thing you add to your aquarium, including leaves and botanicals, it's never a bad idea to know the impact of what you're adding.
Like using botanicals, utilizing Rooibos tea bags in your aquarium requires some thinking, that's all.
The things that I personally dislike about using tea or so-called "blackwater extracts" are that you are simply going for an effect, without getting to embrace the functional aesthetics imparted by adding leaves, seed pods, etc. to your aquarium as part of its physical structure and ecology, and that there is no real way to determine how much you need to add to achieve______.
Obviously, the same could be said of botanicals, but we're not utilizing botanicals simply to create brown water or to target specific pH parameters, etc. We're trying to create an ecology that is similar to what you'd see in such habitats in Nature.
Yet, with tea or commercial blackwater extracts, you sort of miss out on replicating a little "slice of Nature" in your aquarium. The building of an ecosystem. Which is why we call this the botanical method. It's not a "style" of aquascaping! And of course, it's fine if your goal is just to color the water, but it's more of an aesthetically-focused aquarium at that point.
I also understand that some people, like fish breeders who need bare bottom tanks or whatever- like to condition water without all of the leaves and twigs and nuts we love. They want the humic substances and tannins, but really don't need/want the actual leaves and other materials in their tanks.
And, when it comes to tea and these commercial extracts, I don't think the stuff lasts all that long. I personally believe that the tint-producing tannins in "tea" are potentially taken up quickly by substrate materials, filter media, etc. And unless you're keeping tea bags in your tank on a continuous basis, you'll always experience some "color loss" after some period of time.
Yes it works to impart some color and tannins. Creating infusions or extracts is useful, if you understand their purpose and limitations. They have a place in the hobby for sure.
It's why we got into the game with our botanical-based "Shade" products. We're currently sold out and are working with our supplier on a reformulated version. Seems as though we need to make a "darker" mix!
On the other hand, if you're trying to replicate the look and function (and maybe some of the parameters) of THIS:
You won't achieve it by using THIS:
It's simply another shortcut.
Not good or bad. Just a way to get the end "effect" faster, and without the other collateral benefits we discussed.
And look, I understand that we are all looking for the occasional shortcuts and easier ways to do stuff. And I realize that none of what we proffer here at Tannin is an absolute science. It's likely more of an "art" at this point, with a little science behind it.
Think about it: There is no current way available to the hobby to test for "x" types or amounts of tannins (of which there are hundreds of types) in aquariums. I mean, there are tannin test kits, but they're used for wine making and such...Perhaps there is some tangential application for our purposes, but I'm not really sure what practical information. we could extract from the results.
And, I have not found a study thus far which analyzed wild habitats (say, Amazonia) for tannin concentrations and specific types, so we have no real model to go on.
The best we can do is create a reasonable facsimile of Nature.
And, in Naturę, a lot of the tint in blackwater environments comes from dissolved fulvic and humic acids from...soils. Yeah, geology is the key, IMHO, to truly "realistic" blackwater habitats. This is why I've been very picky on sourcing the materials and figuring out recipes for our NatureBase sediment substrates. They are intended to support these types of systems.
Understanding substrates and their role in both the physical environment and the ecology of our aquariums is still a wildly under-appreciated concept in the aquarium hobby, IMHO. We'll keep coming back to this in the future, I'm certain.
And keeping the water tinted is something that many botanical method aquarists are interested in. This wonderful "collateral benefit" of our approach is something that's easy to get addicted to!
Now, all of these ideas are okay to impart some color to your water. Some do more, as we've discussed ad nauseam. And none of them will work to full advantage if your aquarium is removing them as fast as you're imparting them into the water. So, go easy on chemical filtration media like carbon. I didn't say NOT to use them...Just don't use a ton of them! Use less than what the manufacturer recommends.
What about plants?
Well, I have a theory about plants and tannins...
First off, as you know by now, you absolutely can keep plants in blackwater aquariums. We've talked about this a million times over the years. And yet, interestingly, you can't always keep "blackwater conditions" (at least, color-wise) in planted aquariums! There has been much geeky discussion on this topic.
Tannin are interesting things. Think about this:
Tannins are known to bind up heavy metals and minerals. The roots of aquatic plants prefer to take up bound-up minerals and metals...So, another theory of mine is that heavily planted tanks do actually remove some of the visual "tint" (ie; the tannins) from the water via uptake from their roots.
Make sense? Maybe?
Okay, I could go on and on all day throwing out all sorts of theories and unsubstantiated (via lab tests and rigorous studies, anyways) ideas on this topic...But I think I gave you enough here to get the party started. I encourage you to do some homework. We need to ask these questions to people who really understand the chemistry here. I think that there might be some good answers out there.
And, back to the "color thing" to close on here...
I admit, visual "tint" is probably THE single most superficial aspect of what we experience with botanical-method aquariums- but the most obvious, and likely the most impactful to the casual hobbyist or observer.
It's just as important to understand the collateral benefits of utilizing botanical materials- a subject we've discussed dozens of times here. However, in the end, it's the look of your aquarium that is what you have to experience each and every day, and if having an understanding of which materials can bring you the aesthetic experience you're after in a more effective way- well, then this is a worthwhile discussion, right?
I think that it is.
Stay curious. Stay resourceful. Stay enthusiastic. Stay observant. Stay appreciative. Stay tinted...
And Stay Wet.